We are looking at an artist of volume and conventions that are not shown free from the favourable materials for the exercise of discipline . In this way, stone, wood and bronze are worked with a spirit of instalment which supposes a continuous dialogue with the material. In this sense, with true delight he works and sinks himself into his devotion for wood, to which he dotes a silky touch of rhythmic movement of harmony for smoothing the remaining edges. Stone, as with wood, provides him with a challenge of measuring up to tradition; also the language of endearment as an attribute to the degree of contrast with the unfinished. It is in this way that bronze picks up as the hardest lesson in his work. He deals with the most barefaced impressions and the saddest themes through bronze. All in all, the work of this sculptor presents itself to us as a "recital" (the title of one of his pieces), in a way that each part displays the qualities that convey these ideas of depth to us. Ideas that are always linked to the human, its condition, and the concepts that surround it.

Juan Antonio Tinte (Art critic).